I find these kind of discussions extremely interesting and very helpful for both sides when conducted in a positive fashion.
I too hate the revisionist histories, racial bias, and petty fighting that you can see in some Kumdo/Kendo circles. Whilst I agree that essentially they are the same martial art I think there are some very distinct approaches towards keiko and the art that are different.
Note how I say approaches and not stylistic features or forms.
Having come from a Japanese Kendo background for 90% of my Kendo career and only just having started practising seriously with more Korean Kenshi and a very strong Korean Sensei, these approaches are quite striking to me.
I don't feel that the old stereotypes are always correct. For example the widely held assumption that Japanese Kendo is seme followed by one perfect big cut, whilst Korean Kumdo is smaller multiple attacks to create an opening for ippon.
I have spent alot of time living and training in some of the strongest High School Clubs in Southern Japan (such as Ohori High School) and have visited many University Dojo in Kyushu and Honshu. I saw there alot of what people assume as Korean Kumdo. Renzoku waza, aggression, fast movement, small techniques. This wasn't just at the typical high school level (we all know that many people try incorrectly to use high school kendo as a derogeratory term) but also at the end of University level Kendo.
Like wise I have seen Korean players who have focused alot on single attacks and larger big cutting actions (just look at some of the Kumdo on SBS or the 13th WKC).
I think in the west this comes down to the misunderstanding of what seme is (Sorry I don't know the korean term).
Anyway in my experience I have found that Kumdo practioners think alot more about movement and seme from all directions. Forwards, backwards, left, and right. One thing that Cho Sensei has taught me and opened my eyes to is this aspect of always keeping light on your feet and moving around your opponent at all times.
In contrast a lot of Japanese teachers have always only ever taught me to always move forward and never move back. Seme down the centre line in one direction.
Seme Ashi i have learnt can be applied not only in the context of forward movement but also multi directional movement.
Cho Sensei also teaches me to use more attack patterns, multiple techniques to create opennings but by still maintaining seme over the opponent.
The content is the same as what I have learnt is Japan, a Men or Mori is the same. The form, function, and purpose. However the approaches towards it can be different.
This is based on the traditional Japanese teaching thats widely spread in Europe, I've noticed these days that there is a lot more inter mixing of ideas between Kumdo and Kendo however in Korea and Japan.


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